By Vannie Gama In theory, you would be reading the text of the week as
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| Zénith | The three works on paper featured in Tableau’s January Catalogue: Camille, Aline, and “O Jogo”.
By Vannie Gama. As I prepare for the group exhibition at Maison France–Montréal on January
Book “Leão e o Unicórnio” and A Fashion Film: Art is a constant whisper in revolutions.
by Vannie Gama One of the reasons I have dedicated myself so intensely to theoretical
| Zénith | Patrons and Artists: The Contradictory desire of attaining Good Art under hyperprocessed capital digitalities
By Vannie Gama Now my Patreon page is up! To share it, there is this
| Zénith | “This is going to be personal. Well, if it wasn’t, you could just keep seeing my very public side, the polished artworks, the public interviews and events, the published books and articles, and so on…”
By Vannie Gama The text below is the prelude of my Patreon release. I decided
The 2025 Catalogue is Fruity Sadomasoquista, or “Mist” to keep it family-friendly version. Let’s talk about portfolios, art books, books of art and catalogues.
By Vannie Gama You can hold me to publishing a proper article on this topic
Sentidos (Senses) and Gestes (Gestures) : from the last to the first creations between South and North America | Retrospective 2025, 8/8
By Vannie Gama The decision to immigrate or to spend many years outside Brazil was
7 Years of Travels: a last visit to the auction house Tableau das Artes in São Paulo | Retrospective 7/8
By Vannie Gama With each one of these retrospectives, there is that double feeling of,
Traço de Ciência, Atrás do Tempo, and the article Microscopic Art Article at CEPID-Neuromat | Retrospective 2025, 6/8
By Vannie Gama It was in the first months of 2025 that I found this
Publishing ‘’Technological Society’’ and the semi-enclosure of the PPOO series: the unfinished ideas | Retrospective 2025, 5/8
By Vannie Gama Perhaps through the other retrospectives some of you think, “well, but he
