By Vannie Gama The text below is the prelude of my Patreon release. I decided
Year: 2025
The 2025 Catalogue is Fruity Sadomasoquista, or “Mist” to keep it family-friendly version. Let’s talk about portfolios, art books, books of art and catalogues.
By Vannie Gama You can hold me to publishing a proper article on this topic
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Sentidos (Senses) and Gestes (Gestures) : from the last to the first creations between South and North America | Retrospective 2025, 8/8
By Vannie Gama The decision to immigrate or to spend many years outside Brazil was
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7 Years of Travels: a last visit to the auction house Tableau das Artes in São Paulo | Retrospective 7/8
By Vannie Gama With each one of these retrospectives, there is that double feeling of,
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Traço de Ciência, Atrás do Tempo, and the article Microscopic Art Article at CEPID-Neuromat | Retrospective 2025, 6/8
By Vannie Gama It was in the first months of 2025 that I found this
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Publishing ‘’Technological Society’’ and the semi-enclosure of the PPOO series: the unfinished ideas | Retrospective 2025, 5/8
By Vannie Gama Perhaps through the other retrospectives some of you think, “well, but he
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Você precisa de Redes Sociais para “Ser Artista”? Um breve texto sobre a escolha de postar no Instagram, TikTok, Facebook e etc.
Por Vannie Gama. Todas as vezes em que falo que não tenho mais redes sociais
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Never-ending series: Platitudinous Bizarreness after Memory as Delirium | Retrospective 2025, 4/8
By Vannie Gama The myths around what originality is and how creation ”should” work are,
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The Pairs language from 2024 to 2025: Certamen “Un Cop d’Ull” | Retrospective 2025, 3/8
By Vannie Gama It was for an exhibition in Paris in 2019 (my first international
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Talking about the Queer side of Duchamp at Jo’s Art History Podcast | Retrospective 2025, 2/8
by Vannie Gama. One of the good and bad sides of being an artist is
